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1950s-60s
vibrato always used from this point
1920s
Elgar used heavy portamento
1930s-40s
decline of portamento
Elgar tempo
"speed rather than control"
Rachmaninov
used 'excessive' rubato in modern terms
Stravinsky tempo
orchestra "struggling"
Bartók tempo
"lighter...more fluid"
Rachmaninov rhythm
free, arpeggiated chords
Bartók rhythm
"percussive"
Elgar rhythm
notation less fixed